Artists > Jennifer Anderson
Stories to be Told, (Barred Owl), 13x18
As the Days Shift Their Shape (Osprey), watercolor, 18x14, $525
Shadows of Blue (White Faced Owl), watercolor, 14x11, $475
Life With Rhyme (Jack rabbits) charcoal, 22x30, $1500
Secrets Within, drypoint with watercolor(ed. variee #2 of 3), 10x7.5, $475
Sweet Promises, drypoint with watercolor (ed. variee #2 of 3), 10x7.5, $475
The Power of Silence (Great Horned Owl), drypoint with watercolor, 16x20, $850
Silent Thoughts (Barred Owl) graphite, 9x7, $425
Watchful, (Northern Flicker) watercolor, 15x12, $475
Attentive, (Peregrine Falcon), graphite, 9x7, $425
Quiet Morning, (Whimbrel) watercolor, 14x20, $625
Every Moment, (Snowy Egret) graphite with colored pencil, 7x9, $425
Quietude, (Saw Whet Owl) watercolor, 10x14, $475
As Time Passes, (American Kestrel), graphite with colored pencil, 7x9, $400
A Way to Listen, (Peregrine Falcon) graphite, 7x9, $425
Invitation to Listen, watercolor, 20x16, $775
Somewhere in Between, drypoint, woodcut, 12x9, $675
And She Waits, woodcut, drypoint, gouache, 12x9, $675
Listening Through Secrets, drypoint, gouache, 13x10, $700
Soft Songs, drypoint, double chine colle, gouache, 10x8, $750
As She Waits, (Great Horned Owl) watercolor, 14x20, $775 SOLD
Great Blue Heron, drypoint with wc, 17x13, $850 SOLD
Autumn Grace, watercolor, 10x8, $500 SOLD
"Some imagery seems to be hard-wired into my soul. Birds, and more recently the raven/crow are one of those images. Their movements, their forms, the space they create with their movement catches my eye and captivates me. My work’s imagery represents an extension of my love of the natural world – rendering this imagery in the print medium helps me to better understand it and feel more connected to it.
Mark-making is a personal language, one that is embodied in an intuitive and physically connected process. In my current work, there is a continuity that occurs from that direct mark-making. When I draw, I respond on a very deep level to the action of the marks on the paper, as they are created and sometimes destroyed. In a similar way, the scratches and textures that I carve and scrape into plates and wood have an emergent voice that begins to speak the narrative of the piece. In this process there is a reinterpretation of the subject – the scratching and gouging of the drypoint plate interprets the image through the resistance of the plate giving a new quality to the imagery."
For more information, please send an email inquiry to sales@carmelart.org.