Artists > Jennifer Anderson
Silent Thoughts (Barred Owl) graphite, 9x7, $425
Watchful, (Northern Flicker) watercolor, 15x12, $475
Attentive, (Peregrine Falcon), graphite, 9x7, $425
Quiet Morning, (Whimbrel) watercolor, 14x20, $625
All In, (Goshawk) watercolor, 14x20, $575
Every Moment, (Snowy Egret) graphite with colored pencil, 7x9, $425
Quietude, (Saw Whet Owl) watercolor, 10x14, $475
Deliberate Contemplation, (Red Shouldered Hawk) watercolor, 12x16, $575
As Time Passes, (American Kestrel), graphite with colored pencil, 7x9, $400
As She Waits, (Great Horned Owl) watercolor, 14x20, $775
A Way to Listen, (Peregrine Falcon) graphite, 7x9, $425
A Wonderful Freedom, watercolor, 20x16, $775 SOLD
Invitation to Listen, watercolor, 20x16, $775
Autumn Grace, watercolor, 10x8, $500 SOLD
Somewhere in Between, drypoint, woodcut, 12x9, $675
And She Waits, woodcut, drypoint, gouache, 12x9, $675
Shadows Shining Through, drypoint, woodcut, 12x9, $675
Holding Dear, drypoint-gouache, 10x13, $700
Listening Through Secrets, drypoint, gouache, 13x10, $700
The Most of Love, drypoint, woodcut, 12x9, $675
Moments, drypoint, chine colle, gouache, 9.5 x 9.5, $680
Where I’m Going, drypoint, collagraph, chine colle, 18x12, $850
Soft Songs, drypoint, double chine colle, gouache, 10x8, $750
As I Listen, drypoint, chine colle, gouache, 5.5 x 4, $325
A Slice of Silence, drypoint, chine colle and gouache, 14x11, $775
Love is Quiet, drypoint, chine colle, gouache, 5.5 x 4, $325
Put Your Dream In My Heart, drypoint, gouache, 13x10, SOLD
Love Gently, watercolor, 12x8, $675 SOLD
Only With You, drypoint, gouache, 10x13, SOLD
Every Moment, drypoint, 24x18, SOLD
"Some imagery seems to be hard-wired into my soul. Birds, and more recently the raven/crow are one of those images. Their movements, their forms, the space they create with their movement catches my eye and captivates me. My work’s imagery represents an extension of my love of the natural world – rendering this imagery in the print medium helps me to better understand it and feel more connected to it.
Mark-making is a personal language, one that is embodied in an intuitive and physically connected process. In my current work, there is a continuity that occurs from that direct mark-making. When I draw, I respond on a very deep level to the action of the marks on the paper, as they are created and sometimes destroyed. In a similar way, the scratches and textures that I carve and scrape into plates and wood have an emergent voice that begins to speak the narrative of the piece. In this process there is a reinterpretation of the subject – the scratching and gouging of the drypoint plate interprets the image through the resistance of the plate giving a new quality to the imagery."
For more information, please send an email inquiry to sales@carmelart.org.